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Showing posts with label The Sense of an Ending. Show all posts
Showing posts with label The Sense of an Ending. Show all posts

Wednesday, February 1, 2012

Can't Read Too Many Books -- January 2012

There seems to be a trend developing among card bloggers to share what books they've been reading.  I'm all for this.  I read four books in January.  (Click the covers for links to Amazon.)

This book was a Christmas gift.  Part history of the baseball, part ball-hawking primer it was a quick fun read.
My rating (1-5):

I found this in the biography section of my local library.  I've been a fan since the 70's .  I still have my vinyl album copies of Class Clown and Occupation Foole .   Published after his death (thus the title) it seems a very honest account of Carlin's personal struggles and successes.
My rating (1-5):

This was another library find.  Though it's been there for a couple of years I think I'm the first to borrow it.   I was interested in Chagall both for his Jewish and Chicago connections.  Here's a link to a post of mine that shows his America stained glass windows at the Art Institute of Chicago.  The book was over 600 pages long and though I found Chagall's life interesting I wasn't that impressed with the the author's writing.  As can be a problem with books about art, there was a lot of description of works without accompanying pictures.
My rating (1-5):

I was pleasantly surprised to find this in the new arrivals section at the library.  I really enjoyed Barnes' last book, the part memoir, part philosophy, Nothing to be Frightened Of.  This one was not a disappointment.
Here are a couple of blurbs from reviews:

“An elegantly composed, quietly devastating tale about memory, aging, time and remorse. . . . Offers somber insights into life’s losses, mistakes and disappointments in a piercing, thought provoking narrative. Bleak as this may sound, the key word here—the note of encouragement—is ‘insights.’ And this beautiful book is full of them.” —NPR
“Dense with philosophical ideas . . . it manages to create genuine suspense as a sort of psychological detective story . . . Unpeeling the onion layers of the hero’s life while showing how [he] has sliced and diced his past in order to create a self he can live with. —Michiko Kakutani, The New York Times
My rating (1-5):
(You go to the head of the class if you recognize this man.)
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