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Sunday, April 10, 2011

Song for a Sunday Night

The first time I ever saw Kate Bush she was singing this song on Saturday Night Live back on December 9, 1978.  I still have my copy of the album it was on, The Kick Inside.


Here's Kate talking about how she came to write the song:

"The idea for Heavy People came when I was just sitting one day in my parents' house. I heard the phrase "Rolling the ball" in my head, and I thought that it would be a good way to start a song, so I ran in to the piano and played it and got the chords down. I then worked on it from there.
     It has lots of different people and ideas and things like that in it, and they came to me amazingly easily--it was a bit like Oh England, because in a way so much of it was what was happening at home at the time. My brother and my father were very much involved in talking about Gurdjieff and whirling Dervishes, and I was really getting into it, too. It was just like plucking out a bit of that and putting it into something that rhymed. And it happened so easily--in a way, too easily. I say that because normally it's difficult to get it all to happen at once, but sometimes it does, and that can seem sort of wrong. Usually you have to work hard for things to happen, but it seems that the better you get at them the more likely you are to do something that is good without any effort. [In fact, however, Kate says even now that her music still comes very slowly, generally speaking.] And because of that it's always a surprise when something comes easily.
     I thought it was important not to be narrow-minded just because we talked about Gurdjieff. I knew that I didn't mean his system was the only way, and that was why it was important to include whirling Dervishes and Jesus, because they are strong, too. Anyway, in the long run, although somebody might be into all of them, it's really you that does it--they're just the vehicle to get you there.
     I always felt that Heavy People should be a single, but I just had a feeling that it shouldn't be a second single, although a lot of people wanted that. Maybe that's why I had the feeling--because it was to happen a little later, and in fact I never really liked the album version much because it should be quite loose, you know: it's a very human song. And I think, in fact, every time I do it, it gets even looser. I've danced and sung that song so many times now, but it's still like a hymn to me when I sing it. I do sometimes get bored with the actual words I'm singing, but the meaning I put into them is still a comfort. It's like a prayer, and it reminds me of direction. And it can't help but help me when I'm singing those words. Subconsciously they must go in."

Them Heavy People

Rolling the ball, rolling the ball, rolling the ball to me. 
Rolling the ball, rolling the ball, rolling the ball to me.

They arrived at an inconvenient time.
I was hiding in a room in my mind.
They made me look at myself. I saw it well.
I'd shut the people out of my life.

So now I take the opportunities:
Wonderful teachers ready to teach me.
I must work on my mind. For now I realise:
Everyone of us has a heaven inside.

Them heavy people hit me in a soft spot.
Them heavy people help me.
Them heavy people hit me in a soft spot.
Rolling the ball, rolling the ball, rolling the ball to me.

They open doorways that I thought were shut for good.
They read me Gurdjieff and Jesu.
They build up my body, break me emotionally.
It's nearly killing me, but what a lovely feeling!

I love the whirling of the dervishes.
I love the beauty of their innocence.
You don't need no crystal ball,
Don't fall for a magic wand.
We humans got it all, we perform the miracles.

Them heavy people hit me in a soft spot.
Them heavy people help me.
Them heavy people hit me in a soft spot.
Rolling the ball, rolling the ball, rolling the ball to me.
Rolling the ball, rolling the ball, rolling the ball to me.
Rolling the ball, rolling the ball...

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